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Bryan Adams ~ Getaway


drove all night form new york city
in your best friend's car
knocked on my door about five thirty
nursing a broken heart
still got your keys in your back pocket - still got your
jacket on
back door's oben baby - I don't lock it
we can leave anytime we want

I got my motor runnin' - fingers drummin'
I never planned to stay
getaway - ya know it's now or never
getaway - nobody lives forever
we're only waitin' just to make you getaway

hey baby we were good together
seemed like you'd always be my girl
but looking back now we were just too clever
thinking love could change the world
ya know there's no point in waitin' hesitating
we gotta leave today


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
Crossing Borders
Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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