Free Lyrics 2026

Blondie ~ Contact In Red Square


1 2 3 4 Although i'm young i got a job to do. Hid the microfilm in the lining of my shoe. Call it a business trip. Got to hide inside my trenchcoat and be clever . I got my papers and a cyanide pill. My polaroid's a taser in disguise. There's a base in the hills, and the wheat fields looks like kansas in november. Astrovia, sweet comrade, your nation is your gun. Your love reads like the broken code you sent me. One last contact in red square, unless i have to run and the long arms of the k.g.b. detect me. Can't trust a soul, secret messenger, just the rules that lie like circuits in your brain and a cool .45. The wind is ice and foreign air tastes strange. I.c.b.m. Bang! bang! you're dead! No one left to worry. Kiss me quick, now i have to hurry. Our last contact in red square, unless i have to run and the long arms of the c.i.a. detect me. Hey! Hey! hey! more free lyrics

1 2 3 4
Although i'm young i got a job to do.
Hid the microfilm in the lining of my shoe.
Call it a business trip.
Got to hide inside my trenchcoat and be clever .
I got my papers and a cyanide pill.
My polaroid's a taser in disguise.
There's a base in the hills, and the wheat fields looks like kansas in november.
Astrovia, sweet comrade, your nation is your gun.
Your love reads like the broken code you sent me.
One last contact in red square, unless i have to run and the long arms of the k.g.b. detect me.
Can't trust a soul, secret messenger, just the rules that lie like circuits in your brain and a cool .45.
The wind is ice and foreign air tastes strange.
I.c.b.m.
Bang! bang! you're dead!
No one left to worry.
Kiss me quick, now i have to hurry.
Our last contact in red square, unless i have to run and the long arms of the c.i.a. detect me.
Hey!
Hey! hey!

more free lyrics

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The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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