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Backyard Babies ~ The Clash


Do you believe, leave the things that i admire
My mistake, to make tha stakes a little higher
No nothing's ever gonna be alright
And we invade because of your invite

Far out b. baby
Couldn't stay away baby
Tha clashes don't come one in a million

Did you believe, leaveing me without no reason
Your mistakes, i'm taking you out of season
Nothing really maters anymore
Only the sound of glass across the floor

Far out b. baby
Couldn't stay away baby
Tha clashes don't come one in a million
Be a.s.a.p wouldn't bet a dime on me
The clashes don't come one in a million

I like things that you might copyright
No and i don't like
That you don't like
What we don't like
There's no one like us


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Global Music: Unbounded Sound Waves
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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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