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Babes In Toyland ~ Dogg


And why?
Every time the fire is burning
I pull away the kindling
Pour gasoline on fire
On fire* and why?
Always got to do that thing
Do that thing to me
To me
And why?
Everytime you're smiling
You smile from ear to ear
Mine is upside down
Up up side down
Upside down* and why?
Always got to do that thing
Do that thing to me
And why?
Everytime you're drowning
You're sinking under water
I put my hand down to you
And pull me right under
Right under with you
And why?
Always got to do that thing
Do that thing to me
And why?
Everytime the sun is shining
It shines so bright
So bright
I cant find sky
And why?
Always got to do that thing
Do that thing to me


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
Crossing Borders
Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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