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Murderdolls ~ She Was A Teenage Zombie


Don’t know what I’m feeling or what I should say
On how my life changed
The day I stumbled on her grave
Not a necrophilliac, I guess I was bored
I just love to spend my
Time with a fresh embalmed corpse
Of course
[chorus]
She was a teenage zombie
She was a teenage corpse
She was a teenage zombie
Drop dead gorgeous that’s for sure

I took her to the movies
And I took her to the park
I took her in the back-seat
And that’s where she stole my heart
And then I walked her home
From our postmortem date
She took me by the hand and we danced upon her grave
[chorus]

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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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